Review

Cannes 2024 Review: THE OTHER WAY AROUND, Breakup Comed...

Itsaso Arana and Vito Sanz star in Jonás Trueba's Spa...

Cannes 2024 Review: THE SHROUDS Contemplates Necrophili...

David Cronenberg doesn't get introspective with his m...

Inside Out 2024 Review: SPARK Has Spark

Directed by Nicholas Giuricich, Spark is an interesti...

PEEPING TOM 4K Review: You Like To Watch, Don't You?

Restored to the Criterion Collection, Michael Powell'...

Cannes 2024 Review: WHEN THE LIGHT BREAKS Illuminates C...

Icelandic filmmaker Rúnar Rúnarsson offers a contempl...

Cannes 2024 Review: SANTOSH, Damning Portrait of Indian...

Shahana Goswami and Sunita Rajwar star in Sandhya Sur...

Cannes 2024 Review: ALL WE IMAGINE AS LIGHT, A Major Ac...

Grand Prix Winner of Cannes 2024 showcases the emerge...

WE ARE LADY PARTS S2 Review: Comedy Powered By Music, D...

Nida Manzoor's show returns for six more rockin' epis...

Cannes 2024 Review: SIMON OF THE MOUNTAIN Explores Nuan...

Argentinian director Federico Luis explores the compl...

IN A VIOLENT NATURE Review: Monstrous Slasher, Impendin...

Writer/director Chris Nash deconstructs, then rebuild...

Cannes 2024 Review: UNIVERSAL LANGUAGE, A Triumph for C...

Canadian filmmaker Matthew Rankin directs and stars i...

Cannes 2024 Review: THE STORY OF SOULEMYANE Depicts Imm...

French director Boris Lojkine navigates the harsh rea...

Cannes 2024 Review: THE SUBSTANCE, One of the Year's Be...

Without much expectation – because Revenge, director ...

Cannes 2024 Review: BLOCK PASS Sees Friendship and Masc...

Antoine Chevrollier's debut feature film navigates th...

ALL THAT BREATHES Blu-ray Review: Sitting Gently With t...

One of the great, tragic flaws of the human race is l...

YOUNG WOMAN AND THE SEA Review: Daisy Ridley Vs. the Pa...

At every step in Joachim Rønning’s (Pirates of the Ca...