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‘All of Us Strangers’ Review: A Delicately Ambiguous Re...

‘All of Us Strangers’ chooses, quite movingly, to look at loving as something st...

Sundance 2024: Reflections on Transience, Rigidity, and...

Against a bigoted statewide backdrop, this year’s Sundance included some particu...

Sundance 2024 Review: ‘Daughters’ Portrays the Devastat...

Daughters is essential viewing in its insistence that we sit with the pain, grie...

Sundance 2024 Review: Sean Wang’s ‘Didi’ is An Ode to T...

Didi doesn’t soften the blows of early adolescence in the way many coming-of-age...

Sundance 2024: ‘Black Box Diaries’ Exposes the Flaws In...

Black Box Diaries highlights that, as it currently stands, we will not find just...

‘Immaculate’: A Seraphic Act of Autonomy

Sydney Sweeney's latest film doubles as an exploration of autonomy for both its ...

‘La Chimera’ Review: A Dreamlike Fable of Grief and its...

Alice Rohrwacher’s continued exploration of magical realism is a visual feast fu...

‘Riddle of Fire’: Weston Razooli’s Effortless Craft

'Riddle of Fire' is a nostalgia-charged celebration of childhood. Director Westo...

Vera Drew’s ‘The People’s Joker’ Reminds Us What Vision...

“I was getting a little burnt out on telling other people’s stories. It was time...

Interview with ‘The Feeling That The Time For Doing Som...

“I think that unfortunately in this day and age, people really don’t want to see...

260. Côte d’Ivoire’s (Ivory Coast’s) film director Phil...

  “I don’t make a lot of films...I can only shoot what is essential to me” --Dir...

261. US film directors Cathy Allyn’s and Nick Loeb’s fi...

 Roe v. Wade is a 2021 feature film that provides considerable insight from a pr...

262. Spanish film director Oliver Laxe’s film “O Que Ar...

   “If they hurt others, it’s because they hurt, too.”-- Benedicta, mother of Am...

263. Mexican film director Carlos Reygadas’ debut film ...

  My goal is to observe life and not to mystify it. What I film is simply matter...

264. Japanese film director Naomi Kawase’s fourteenth f...

 Director and co-scriptwriter Naomi Kawase, co-scriptwriter Izumi Takahashi and ...

265. Italian film director Uberto Pasolini’s third fea...

  “I wanted to make a film with this title for a long time. The title is from a ...