Review

KINGDOM OF THE PLANET OF THE APES Review: Been There, D...

Introduction When everyone finished watching Avengers: Endgame (2019), the audie...

IF Review: Imagine That

Introduction I never had an imaginary friend (IF) as a kid. That’s probably beca...

THE GARFIELD MOVIE (2024) Review

Introduction After Garfield (Chris Pratt) unexpectedly reunites with his long-lo...

YOUNG WOMAN AND THE SEA Review: Just Keep Swimming, Jus...

Introduction Early in Young Woman and the Sea, Henry Ederle (Kim Bodnia) scoffs ...

Maestra: Review

Maestra: Review. By Richard Schertzer. If you had the chance to take on a rigoro...

Furiosa: A Mad Max Saga – The BRWC Review

Furiosa: A Mad Max Saga – The BRWC Review. By Daniel Rester.   George Miller’s M...

White Teeth: Review

White Teeth Review. By Christopher Patterson. A Underrated Series That Is Just A...

Abbott Elementary: Season 3 – Review

Abbott Elementary: Season 3 – Review. By Christopher Patterson. The First Time I...

Geoff McFetridge: Drawing A Life – Review

Geoff McFetridge: Drawing A Life – Review. By Richard Schertzer. If your job req...

MOVIE REVIEW: Guy Friends

Guy Friends circles its wagons and makes the fresh duo of Jaime and Sandy the ...

The Film Comment Podcast: Oscars Preview with the Los A...

The view from the top: Eric Newman and Annie Berke, editors of the Los Angeles R...

Review: Mary Helena Clark’s Conveyor

Open wide: Mary Helena Clark’s solo show invites us to confront language as an i...

SOLO Review: Love that Elevates, Love that Destroys

How can we know what makes us happy? More importantly...

Cannes 2024 Review: In THE SECOND ACT, Quentin Dupieux ...

Quentin Dupieux’s new film The Second Act (Le deuxièm...

Cannes 2024 Review: THE GIRL WITH THE NEEDLE, A Potent ...

One of the first nominees for the Palme d’or that was...

Cannes 2024 Review: THE BALCONETTES Paints a Portrait o...

Women get bloody man trouble in French comedy horror....